Things are much easier-especially with productions as complex as LA Opera’s Oedipus Rex-with smart technology like Avantis from A&H.”Ĭreated during Stravinsky's ‘neoclassical period,’ Oedipus Rex is a highly stylized, ritualistic work the composer described as an ‘opera-oratorio’ to be staged with minimal movement. “It is easy to use, extremely flexible with routing, a nice size and sounds great! The demands of opera and ‘live’ production require technology that works well with all of the ‘oh, by the way’ requests. “The Avantis is a perfect console for the performing arts,” adds Grammy Award-winning engineer Fred Vogler. In this case, the PRIME preamps feed into a 64 channel / 42 configurable bus Avantis, powered via its 96kHz XCVI FPGA core. In a great hall with world class performers, these sonic benefits become even more apparent.” Compatible with SQ, Avantis and dLive (via the DX32 modular expander), each individual PRIME channel is fine-tuned by hand for optimum common mode performance. This greatly improves low frequency linearity and phase response. “Most preamps are based on AC coupled stages, while PRIME offers a DC coupled gain stage which eliminates LF distortion you’d get in AC coupling. “This type of highly exposed orchestral setting is exactly what PRIME was designed to tackle,” notes Allen & Heath USA Marketing Director Jeff Hawley. An Allen & Heath Avantis was chosen to mix both of these special events, accompanied by a DX32 modular expander outfitted with PRIME preamp modules to deliver next-level audio quality. A video presentation of the opera will subsequently stream on LA Opera's digital platform, also free of charge, beginning June 17. Marking the company's first indoor performance in over a year, LA Opera will present the company premiere of Igor Stravinsky's Oedipus Rex at 2pm on Sunday, June 6, at the Dorothy Chandler Pavilion.
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